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Ci Xue
2012 Vol.0 Issue.28
Published 2012-12-31
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2012 Vol. 0 (28): 0-0 [
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Definitions of Ci, Ci Theory, and Discipline of Ci Theory
Shi Yidui
This thesis separately defines and compares three basic terms in the literature field: Ci, Ci Theory and the Discipline of Ci Theory. It is found that first originated in Tang Dynasty, with Convivial Music as its expression pattern, Ci is a unique form of Chinese poetry. Ci Theory, however, is a research especially on Ci. Found by Wang Guowei, developed by Long Yusheng and his peers, Ci Theory evolves into a systematic study. Even from the beginning Ci theory came hand in hand with Ci, the study of Ci Thoery has not become a discipline till modern time, to which Xia Chengtao, Tang Guizhang, Long Yusheng, Zhan Antai(Known as Four Masters in Ci field) contributed a lot.
2012 Vol. 0 (28): 1-21 [
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On the feelings of detachment in Qinguan’s Ci poems
Chang Qingzhi
Qin-guan’s Ci poems are famous for the mad and tactful feelings .but affected by his will, the Buddhism, the Taoism and his friends in literature, Qin-guan sometimes expressed his feelings of detachment in the period of repeated demotes. In Qin-guan’s Ci poems, the feelings of detachment in company with the mad and aggrieved feelings, not only helped bring relief in his affliction and made him comfortable, but also created the soul-nature thereby achieved various aesthetics value and culture value.
2012 Vol. 0 (28): 22-31 [
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The life and creations of Zhu Dunru in Lingnan
Tan Shaona Zeng Daxing
Zhu Dunru is a famous poet of Song Dynasty, his poems are well known all the time. The scholars who have been studying Zhu Dunru pay more attention to his changes after the founding of southern song dynasty , his characteristics and so on. They pay less attention to his life and creations in Lingnan. This article chooses the Lingnan poems as the object, combines the relative history materials, inspects his travelling in Lingnan detailedly, inquire into the poet’s mood reflected in the poem and the scenery in Lingnan deeply.
2012 Vol. 0 (28): 32-45 [
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Revaluing Chronological Annotations on Collection of Fangweng Ci
Chen Zumei
This paper is made up of reading notes of the book Chronological Annotations on Collection of Fangweng Ci. The purpose is to discuss different opinions on works Tune Phoenix Hairpin, Tune Divination on Plum Blossom. It is found that Tune Phoenix Hairpin, Tune Divination on Plum Blossom, Tune Bewitching Eyes, and Tune Double Lotus are serial works all related to a female entertainer.
2012 Vol. 0 (28): 46-52 [
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Rethinking “Writing Ci in Prose Style” --Starting from word “Fu” in prefaces of Xin Qiji’s lyrics
Fang Rixi
While writing lyrics in a prose style, Xin Qiji used many techniques like narrative, description, comment, reasoning. Unlike proses which are totally free of rhyme, his lyrics still keep a precise rhyme. This indicates that these lyrics are combinations of poetic charms and prosaic fluencies. The changes and breakthroughs highlight his works.
2012 Vol. 0 (28): 53-62 [
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Reconsidering Tune Huanxisha •a Toast to My Wife in the Collection of Jiaxuan Ci
Xin Gengru
Tune Huanxisha •a Toast to My Wife is one of the Collection of Jiaxuan Ci. In Chronological Annotations on Collection of Jiaxuan Ci originally edited by Mr. Deng Guangming, this lyric is listed in the fifth year of Shaoxi Peroid (1194). In the new edition, however, this lyric is stated written in the 16th year of Chunxi Period (1189). Carefully analyzed its content, materials of Jiaxuan’s family newly discovered, and the epitaph of Xin Jian (Jiaxuan’s descendant), the author tends to believe that the year when this lyric was written is exactly the 6th year of Qingyuan Period.
2012 Vol. 0 (28): 63-73 [
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Wu Mengchuang And Shi Zhaizhi
Sun Hong
From 1244 to 1249, Wu Mengchuang served as a consultant in Shi Zhaizhi’s official residence.from 1244 to 1246, Shi Zhaizhi took the post of governor in Shaoxing. From 1246 to 1249, he took a post in the capital of Hangzhou. During these two periods, Wu Mengchuang accompanied him. There are altogether 11 cis dedicated to Shi Zhaizhi, Among which six of them are written in Shaoxing and five in Hangzhou. In more detail, five cis were written in 1245, one in 1246, four from 1246 to 1247, and one in 1247.
2012 Vol. 0 (28): 74-96 [
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Regional distribution of Ming Dynasty poet
Mengyao Zhangzhongmou
In this paper, "Ming words", "Ming word Supplement" and "Ming words published in the Supplement," published after the word be added to papers included in the Ming Dynasty poet Hometown statistics, preliminary sketch of the Ming Dynasty poet geographical distribution, the combination of human geography and explore its causes. According to the statistics shows, the majority of the poet of the Ming Dynasty located in the southern region, especially in the South Zhili, Zhejiang provinces. This paper will adopt a comparative approach, time for the vertical space for the abscissa, examine the same kinds of cultural , and on this basis to find the back of deep cultural reasons. The body will be divided into four parts for detailed analysis and discussion.
2012 Vol. 0 (28): 97-114 [
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Self-examination and New Thinking on Phases of Ci in Ming Dynasty
Ye Ye
In the past, phases of Ci in Ming Dynasty had been discussed hotly, but there was no final conclusion. Even scholars who are not researching on Ming Ci, were still involved in discussing these phases slightly, because of their attentions on the whole history of Ci literature. Along with the study arisen in the past ten years, the discussion of phases of Ci in Ming Dynasty gradually reached its high tide. In such a positive situation, the author would propose some thinking and methods, like “limited with region’’ and “limited with year”, “phase principle" and "phase reason", “shape division” and “chain division”, etc. In this foundation, proposing new phases of Ci in Ming Dynasty——"six divisions", which will be divided into six times: Transition, Silence, Brewing, Renaissance, Climax and Flourishing.
2012 Vol. 0 (28): 115-138 [
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Review of Ci Poetry Comments in Guangling in Early Qing Dynasty
Li Youqiang
Ci Poetry comments in Guangling, which mainly focus on two Ci collection books of Yi Sheng Chu Ji and Guo Chao Ming Jia Shi Yu, can be used to trace back to composition background, composition date and whom to write for etc. Based on Yi Sheng Chu Ji, Ci Poetry comments in Guo Chao Ming Jia Shi Yu made many adjustments in the content and writer’s names. The change of writer’s names in Li Nong Ci, Yan Lu Ci and Yan Bo Ci shouldn’t be simplified as the cult of celebrity. The dynamic change of Ci Poetry comments, from exclusiveness to inclusiveness, can be found in the later Guangling Ci Poetry composition center.
2012 Vol. 0 (28): 139-148 [
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On the Function of ZHOU Bangyan As “DUFu in Ci Studies” To Changzhou Ci Studies
YU Yi
Unlike other similar history discourses, the discourse of ZHOU Bangyan as “DUFu in Ci Studies” concerned Their Ci’s philosophy system: reflects the enriched aesthetic ideal,and becomes a two-tier system,one WEN Tingyun ,other ZHOU Bangyan.So the discourse of ZHOU Bangyan as “DUFu in Ci Studies” is a structural discourse.
2012 Vol. 0 (28): 149-162 [
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Discussion on Zhuang Yu’s thoughts of Ci Science and his contribution to Changzhou Ci School
Gui Shan
For a long time, Zhuang Yu has not received enough attention in the research of famous writers in Changzhou Ci School. In fact, Zhuang Yu and Tan Xian, Chen Tingzhuo can be called the divided three ones of the representative figures in Changzhou Ci School. He is the common guide of Tan Xian and Chen Tingzhuo on Ci Science, furthermore, his important contribution to Changzhou Ci School is the consistency of the theory and creation. As an important character from Zhou Ji to Tan Xian and Chen Tingzhuo, Zhuang Yu becomes the well-deserved pioneer on the way of Changzhou Ci School’s improvement.
2012 Vol. 0 (28): 163-187 [
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A Study of Kuang Zhouyi’s Yumei houci and his Disagreements with Zheng Wenzhou
TSUI Wai
The works of the “Four Masters of Ci”, Wang Pengyun, Zheng Wenzhou, Zhu Zumou and Kuang Zhouyi represent the highest achievement of the late Qing ci poetry. Initially, they were close friends and used to write, criticize, collate and publish ci poetry together. In 1904, however, Zheng and Kuang, because of a disagreement on Kuang’s Yumei houci, argued fiercely and never again spoke to each other. This article analyzes Yumei houci, a collection Kuang wrote for his most beloved mistress. I focus on its “erotic” nature, the centre of the whole argument, and evaluate Kuang’s unique views of “erotic” poetry with reference to both his writing and criticisms.
2012 Vol. 0 (28): 188-203 [
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Researches on the Poetic Imagery Theory of Qiao Dazhuang
Huang Kunyao
In the critical work Ci Criticism in Mortal World, Wang Guowei First put forward the Poetic Imagery Theory. Afterwards, Qiao Dazhuang also pointed out that “Combination of time and scene makes Poetic Imagery”. What is highly valued was that he also enlarged this theory with exploration of Zhou Bangyan’s lyrics. His statements on Poetic Imagery were more detailed, profound, and practical when considered as an explanation for writing activities. Qiao Dazhuang even revealed the Techniques of Writing in Northern Song Dynasty: he respectively talked about Harmonization of feeling and scene, Couplet, Connection, Transition which brought a great tension to the poetic imagery of every lyric.
2012 Vol. 0 (28): 204-217 [
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Remembrance of Xia Chengtao
Zhou Duwen
The paper keeps records of Xia Chengtao’s writings and activities for 12 years (from early autumn of 1975 to 1986.) in Beijing. As a remembrance, most of those first-hand materials, to a large extent, objectively describe his personalities, literary researches and writings, among which ten works (including poems and lyrics) are also first discovered.
2012 Vol. 0 (28): 218-233 [
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A Masterpiece of the Speculativeness and Introspection of the Ci Study —Comments on the Collection of Speculativeness on Ci Study by Professor Ou Mingjun
Pan Shuxian
The Collection of Speculativeness on Ci Study (2011 edition, published by People's Publishing House), written by Professor Ou Mingjun, focuses on the deep analysis of theories on Ci study and the introspection of previous researches on Ci study. It's worth mentioning that the author pays attention to the theory speculation. His accounts cover various aspects of the system of Ci study with many revisions of the misinterpretations about relevant works, revealing the historical truths which have been shadowed before. Abounded in breakthroughs of viewpoints, perspectives and literature materials, the book presents the original and authentic outlook of the Ci history and the Ci study. The book contains great innovative viewpoints as some academic namings are presented, such as meta-criticism, derivative criticism, meta-categories, subordinate categories and ratification. Furthermore, problematic awareness can be seen throughout the book, which to a large extent, shows the great speculativeness of the author.
2012 Vol. 0 (28): 234-243 [
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A Chronicle of Ding Ning
Ma Xingrong
Ding Ning was a famous talented lyric writer in the period of the Public of China, who got a collection of lyrics as HuanXuan Ci. Suffering from hardships in life, she tried to express her feelings in works. In a result, strictly following the principles of lyric writing in Song Dynasty, she conveyed gloomy and sorrowful emotions in her works. Masters like Xia Chengtao, Long Yusheng, and Shi Zhecun also highly valued her lyrics. Based on the original materials, this thesis intends to do elaborate researches on her family, life, friends and writing activities in a chronological order.
2012 Vol. 0 (28): 244-274 [
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Mei hun ju ying shi Ci hua
Author:Wang yun-zhang Editor:Yang chuan-qing
Mei hun ju ying shi Ci hua was writed by Wang yun-zhang,who was born in 1884 , and died in 1942. He came from Wu xi of Jiang su province.He was good at poem, so he participated Nan she, and organized Song she、Chong yin ci she. He had lots of works about ci poetry criticism,such as Ci xue、Ci shi zhi tan ,and Mei hun ju ying shi Ci hua was one of them. Mei hun ju ying shi Ci hua had thirty items,it was published at the second、third and forth term of Shuang xing magazine in 1915;the first term of Wen xing magazine in 1915; the second、third term of Chun sheng magazine.Mei hun ju ying shi Ci hua included plentiful information.For example, it commented ci poems of Song dynasty and modern writers; investigated the propagation of ci collected works; recorded the detailed activities of Chong yin ci she,.all of them were valuable materials about ci poetry criticism.
2012 Vol. 0 (28): 275-290 [
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Collection of Cishen written by Sun-Renhe
Author:Sun Renhe Editor:Fu Yubin
Sun-Renhe（1894-1966），the famous Philologist and schooler of Ci. Cishen have thirteen articles which didn’t income Sun-Renhe’s books. It Serialized on Literary world of Furen in three phases, Respectively published In 1939 second issue,1940 third issue, 1941 sixth issue. The second issue discussed Ci of LiQingzhao, The third issue discussed Ci of ZhouBangyan, The sixth issue discussed Ci of WeiZhuang. In which, Correction on Pianyu Collection Notes have great help to schoolers who studding ZhouBangyan.
2012 Vol. 0 (28): 291-296 [
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Supplement to HuiFeng’s Notes and Commentaries on Ci-poetry
Author:Kuang Zhouyi Editor:WangJuan
HuiFeng’s Notes and Commentaries on Ci-poetry is Kuang Zhouyi’s most famous Writing on Ci Poetry which is the conclusion of his Ci Theory during his later years. There are much more quotations of Ci Theory in his other documents of Ci Theories. Kuang Zhouyi also selected and compiled Yue-Xi Ci-poetry Selection, and there are nine quotations also belong to HuiFeng’s notes and commentaries. Those quotations contains his evaluation about Ci poets , Ci poetries and the history of Ci, the meaning for the Study of Historical Materials is very important.
2012 Vol. 0 (28): 296-299 [
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2012 Vol. 0 (28): 300-313 [
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2012 Vol. 0 (28): 313-315 [
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Wang Yifei Tang Yijia
2012 Vol. 0 (28): 316-326 [
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Xu Peijun
2012 Vol. 0 (28): 327-331 [
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Hu Yingjian
2012 Vol. 0 (28): 332-336 [
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2012 Vol. 0 (28): 337-337 [
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