摘要：世称所谓“郡邑词选”仅具文献价值而少文学价值，但有些“郡邑词选”可由其探索词学流派的形成渊源及价值观的产生过程，况周颐《粤西词见》即是如此。临桂词派重将况周颐自述其词学之路，多从广西前贤处汲取精华；《粤西词见》选录明末至清同治年间广西词人作品，况周颐评述这些作品都深具临桂词派“重拙大”、重性灵、重体格的词风；况周颐亦自述临桂词派领袖王鹏运的词风，与《粤西词见》所录前辈之作“微尚亦不甚相远”，指出临桂词派的形成“殆不期然而然耶”，于是可知况周颐编选《粤西词见》本是自觉为临桂词派寻求词学之根的产物，他们的根在广西。而《粤西词见》所录作品，充满着乡村田园气息，洋溢着和谐的人际关系，显示着处于时代大变革之际的临桂词派以《粤西词见》追寻词人精神家园的努力，它坚持用传统的词来对抗正在转型的社会与文化，多有对抗城市、对抗新文学以救世的意味，然而，这并不能顺应时代潮流，临桂词派只是传统文学的最后一抹夕阳而已。

Abstract:County Selection, more valued as materials than literature work, gave us clues about how the Group formed and what they valued. Kuang Zhouyi’s Comments on the West Yue Lyrics is one of them. Kuang Zhouyi learn a lot from Guangxi predecessors. In his book, he selected lyrics composed by Guangxi writers, and appraised them “simple but grand, spiritual,and structural”. Zhouyi took Guangxi as the root of Lin Gui Lyric Group. In Comments on the West Yue Lyrics, Many lyrics described countrysides, which implied writers were persuing spiritual home during their time change.