Abstract：Abstract:There are probably three movements of Zun Style in the Ci-poetry Study of Tang and Song Dynasties.Ouyang Jiong's the Preface of Huajian Ci-poetry,which shows first positive finding that are the Palace Cultural nature of the Ci-poetry Style, the Ci-poetry Style coinciding with the Poetic Rhythm and the Ci-poetry Style's characters which are the Qingjue and enchanting state. Dongpo's Po-ti movement has completed the second movements of Zun Style from his advocating the creative practice of Elegant Ci and the theory of "School of Self-recognition".It is the third movement of Zun Style that Zhou Bangyan as a forerunner is,Li Qingzhao's Ci-poetry Criticism as an intermediary is, and those authors such as Jiang Baishi,Zhang Yan and so on whom follow. Three movements of Zun Style,which are from Ci of the emperor,ancient singer-actor,singer-actress,songwriter or musician in Tang and Five Dynasties,to scholar-bureaucrat's Ci in Northern Song Dynasty,to the group of professional Ci-poets in Southern Song Dynasty,so have accomplished the full cycle of Zun Style in the Ci-poetry Study of Tang and Song Dynasties.
木斋 祖秋阳. 论唐宋时期的三次尊体运动[J]. 词学, 2013, 0(30): 55-67.
Mu Zhai Zu Qiuyang. On Three Movements of Zun Style in Tang and Song Dynasties. Ci Xue, 2013, 0(30): 55-67.
